Oil Painting Artist::. Jean Baptiste Camille Corot

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     Jean Baptiste Camille Corot
    1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

Jean Baptiste Camille  Corot Honfleur (mk11) oil painting artist
 Click Image to Enlarge
Honfleur (mk11)
maisons sur les quais-vers 1830 USA collection privee

     Painting ID::  21008
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Honfleur_(mk11)
maisons sur les quais-vers 1830 USA collection privee

Jean Baptiste Camille  Corot Carriere de la Chaise-a-Marie a Fontainebleau (mk11) oil painting artist
 Click Image to Enlarge
Carriere de la Chaise-a-Marie a Fontainebleau (mk11)
Juin 1831 Gand Musee des Beaux-Arts

     Painting ID::  21009
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Carriere_de_la_Chaise-a-Marie_a_Fontainebleau_(mk11)
Juin 1831 Gand Musee des Beaux-Arts

Jean Baptiste Camille  Corot Ferme a Recouvriere (mk11) oil painting artist
 Click Image to Enlarge
Ferme a Recouvriere (mk11)
Niever 1831 Boston,Museum of Fine Arts

     Painting ID::  21010
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Ferme_a_Recouvriere_(mk11)
Niever 1831 Boston,Museum of Fine Arts

Jean Baptiste Camille  Corot Portrait de Mademoiselle Octavie Sennegon (mk11) oil painting artist
 Click Image to Enlarge
Portrait de Mademoiselle Octavie Sennegon (mk11)
1833 Collection privee

     Painting ID::  21011
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_de_Mademoiselle_Octavie_Sennegon_(mk11)
1833 Collection privee

Jean Baptiste Camille  Corot la Cervara (mk11) oil painting artist
 Click Image to Enlarge
la Cervara (mk11)
campagne de Rome 1830/1831 Zurich Kunsthaus

     Painting ID::  21012
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  la_Cervara_(mk11)
campagne de Rome 1830/1831 Zurich Kunsthaus

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     Jean_Baptiste_Camille__Corot
    1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

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