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Frans Hals
1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Young man with a skull
mk86
c.1626
Oil on canvas
92x81cm
London,National Gallery
Painting ID:: 33673
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Young_man_with_a_skull
mk86
c.1626
Oil on canvas
92x81cm
London,National Gallery
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The Merry Drinker
mk86
1628
Oil on canvas
81x66.5cm
Amsterdam,Rijksmuseum
Painting ID:: 33674
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The_Merry_Drinker
mk86
1628
Oil on canvas
81x66.5cm
Amsterdam,Rijksmuseum
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The Gypsy Girl
mk86
c.1628-1630
Oil on panel
58x52cm
Paris,Musee
National du Louvre
Painting ID:: 33675
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The_Gypsy_Girl
mk86
c.1628-1630
Oil on panel
58x52cm
Paris,Musee
National du Louvre
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Portrait of Willem van Heythuysen
mk86
c.1625-1630
Oil on canvas
204.5x134.5cm
Munich,Bayerisch Staatsgemalde-sammlungen,
Alte Pinakothek
Painting ID:: 33676
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Portrait_of_Willem_van_Heythuysen
mk86
c.1625-1630
Oil on canvas
204.5x134.5cm
Munich,Bayerisch Staatsgemalde-sammlungen,
Alte Pinakothek
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Regentsses of the Old Men's Almoshouse in Haarlem
mk86
1664
Oil on canvas
170.5x249.5cm
Haarlem,Frans-Hals-Museum
Painting ID:: 33677
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Regentsses_of_the_Old_Men's_Almoshouse_in_Haarlem
mk86
1664
Oil on canvas
170.5x249.5cm
Haarlem,Frans-Hals-Museum
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Frans_Hals
1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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