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Adriaen van ostade
Dutch Baroque Era Painter, 1610-1685
Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards
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Interior with a Peasant Family
1647(1647)
Medium oil on oak panel
Dimensions Height: 43.1 cm (17 in). Width: 36.5 cm (14.4 in).
cyf
Painting ID:: 91952
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Interior_with_a_Peasant_Family
1647(1647)
Medium oil on oak panel
Dimensions Height: 43.1 cm (17 in). Width: 36.5 cm (14.4 in).
cyf
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Die Fischverkauferin
c. 1660-1670
Medium oil on oak panel
Dimensions 29 X 26,5 cm
cyf
Painting ID:: 92164
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Die_Fischverkauferin
c. 1660-1670
Medium oil on oak panel
Dimensions 29 X 26,5 cm
cyf
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The quack.
1648
Medium oil on oak panel
Dimensions 27 X 22 cm (10.6 X 8.7 in)
cjr
Painting ID:: 92907
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The_quack.
1648
Medium oil on oak panel
Dimensions 27 X 22 cm (10.6 X 8.7 in)
cjr
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Barber Extracting of Tooth.
c. 1637(1637)
Medium oil on oak panel
Dimensions 34 X 41.3 cm (13.4 X 16.3 in)
cjr
Painting ID:: 92909
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Barber_Extracting_of_Tooth.
c. 1637(1637)
Medium oil on oak panel
Dimensions 34 X 41.3 cm (13.4 X 16.3 in)
cjr
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The cottage dooryard.
1673(1673)
Medium oil on canvas
Dimensions Height: 44 cm (17.3 in). Width: 39.5 cm (15.6 in).
cjr
Painting ID:: 92924
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The_cottage_dooryard.
1673(1673)
Medium oil on canvas
Dimensions Height: 44 cm (17.3 in). Width: 39.5 cm (15.6 in).
cjr
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Adriaen_van_ostade
Dutch Baroque Era Painter, 1610-1685
Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards
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