Oil Painting Artist::. James Tissot

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     James Tissot
    French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

James Tissot Still On Top (nn01) oil painting artist
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Still On Top (nn01)
Oil on canvas,34 1/2 x 21 in/87.6 x 53.3 cm Auckland City Art Gallery

     Painting ID::  22865
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Still_On_Top_(nn01)
Oil on canvas,34 1/2 x 21 in/87.6 x 53.3 cm Auckland City Art Gallery

James Tissot Hush (nn01) oil painting artist
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Hush (nn01)
Oil on canvas,29 x 44 in/73.7 x 111.8 cm Manchester city Art Galleries

     Painting ID::  22866
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Hush_(nn01)
Oil on canvas,29 x 44 in/73.7 x 111.8 cm Manchester city Art Galleries

James Tissot The Bunch of Lilacs (nn01) oil painting artist
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The Bunch of Lilacs (nn01)
oil on canvas,20 x 14 in/50.8 x 35.6 cm Richard Green Gallery,London

     Painting ID::  22867
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Bunch_of_Lilacs_(nn01)
oil on canvas,20 x 14 in/50.8 x 35.6 cm Richard Green Gallery,London

James Tissot A Portrait (Miss Lloyd) (nn01) oil painting artist
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A Portrait (Miss Lloyd) (nn01)
Oil on canvas,36 x 20 in/91.4 x 50.8 cm Tate Gallery,London

     Painting ID::  22868
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_Portrait_(Miss_Lloyd)_(nn01)
Oil on canvas,36 x 20 in/91.4 x 50.8 cm Tate Gallery,London

James Tissot The Thames (nn01) oil painting artist
 Click Image to Enlarge
The Thames (nn01)
Oil on anvas,28 1/2 x 42 1/4 in/72.7 x 107.3 cm Wakefleld Art Gallery and Museums

     Painting ID::  22869
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Thames_(nn01)
Oil on anvas,28 1/2 x 42 1/4 in/72.7 x 107.3 cm Wakefleld Art Gallery and Museums

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Prev Artist       Next Artist     

     James_Tissot
    French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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