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Michael Ancher
Danish Painter, 1849-1927
He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
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portraet af gamle fru brondum
se
Painting ID:: 64657
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portraet_af_gamle_fru_brondum
se
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carl locher med sin hund tiger
1909
se
Painting ID:: 64664
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carl_locher_med_sin_hund_tiger
1909
se
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kunstdommere
1906
frederiksborgmuseet
Painting ID:: 64673
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kunstdommere
1906
frederiksborgmuseet
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A Baptism
1883-1888
Oil on canvas
Painting ID:: 70273
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A_Baptism
1883-1888
Oil on canvas
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Anna Ancher reading
1881(1881)
Oil on cardboard
45.5 x 37.5 cm
Painting ID:: 70274
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Anna_Ancher_reading
1881(1881)
Oil on cardboard
45.5 x 37.5 cm
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Michael_Ancher
Danish Painter, 1849-1927
He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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