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Georg Flegel
1566-1638
Georg Flegel Location
German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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Still Life with Stag Beetle
1635(1635)
Medium Oil on wood
cyf
Painting ID:: 87805
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Still_Life_with_Stag_Beetle
1635(1635)
Medium Oil on wood
cyf
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Still-Life with Fish
1637(1637)
Medium oil on panel
cyf
Painting ID:: 89655
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Still-Life_with_Fish
1637(1637)
Medium oil on panel
cyf
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Still Life with Stag Beetle
1635(1635)
Medium oil on panel
cyf
Painting ID:: 90300
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Still_Life_with_Stag_Beetle
1635(1635)
Medium oil on panel
cyf
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Still-Life with Bread and Confectionary
first half of 17th century
Medium oil on panel
Dimensions Height: 21.7 cm (8.5 in). Width: 17 cm (6.7 in).
cyf
Painting ID:: 91989
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Still-Life_with_Bread_and_Confectionary
first half of 17th century
Medium oil on panel
Dimensions Height: 21.7 cm (8.5 in). Width: 17 cm (6.7 in).
cyf
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Stilleben mit Kerze
1631
Medium oil on linden
Dimensions 34.9 X 22.8 cm (13.7 X 9 in)
cjr
Painting ID:: 92493
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Stilleben_mit_Kerze
1631
Medium oil on linden
Dimensions 34.9 X 22.8 cm (13.7 X 9 in)
cjr
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Georg_Flegel
1566-1638
Georg Flegel Location
German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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