Oil Painting Artist::. Nicolae Grigorescu

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     Nicolae Grigorescu
    Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.

Nicolae Grigorescu Interior in Vitre oil painting artist
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Interior in Vitre
nn06 oil on canvas 55x47cm National Art Museum of Romania, Bucharest

     Painting ID::  30762
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Interior_in_Vitre
nn06 oil on canvas 55x47cm National Art Museum of Romania, Bucharest

Nicolae Grigorescu French peasant Woman in the Vineyard oil painting artist
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French peasant Woman in the Vineyard
nn06 oil on canvas 65x80cm National Art Museum of Romani, Bucharest

     Painting ID::  30763
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  French_peasant_Woman_in_the_Vineyard
nn06 oil on canvas 65x80cm National Art Museum of Romani, Bucharest

Nicolae Grigorescu Woman with Plate oil painting artist
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Woman with Plate
nn06 oil on wood

     Painting ID::  30764
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Woman_with_Plate
nn06 oil on wood

Nicolae Grigorescu Woman in the Garden oil painting artist
 Click Image to Enlarge
Woman in the Garden
nn06 oil on canvas 65.8x37.2cm National Art Museum of Romania, Bucharest

     Painting ID::  30765
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Woman_in_the_Garden
nn06 oil on canvas 65.8x37.2cm National Art Museum of Romania, Bucharest

Nicolae Grigorescu In the Garden oil painting artist
 Click Image to Enlarge
In the Garden
nn06 oil on canvas 23.5x14cm National Art Museum of Romania, Bucharest

     Painting ID::  30766
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  In_the_Garden
nn06 oil on canvas 23.5x14cm National Art Museum of Romania, Bucharest

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     Nicolae_Grigorescu
    Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.

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