Oil Painting Artist::. Sir Thomas Lawrence

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     Sir Thomas Lawrence
    1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.

Sir Thomas Lawrence Portrait of Lady Elizabeth Conyngham oil painting artist
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Portrait of Lady Elizabeth Conyngham
Date between 1821(1821) and 1824(1824) Medium Oil on canvas cyf

     Painting ID::  80828
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Lady_Elizabeth_Conyngham
Date between 1821(1821) and 1824(1824) Medium Oil on canvas cyf

Sir Thomas Lawrence Portrait of Mary Palmer, Countess of Inchiquin oil painting artist
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Portrait of Mary Palmer, Countess of Inchiquin
Date ca. 1790(1790) Medium Oil on canvas cjr

     Painting ID::  80990
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Mary_Palmer,_Countess_of_Inchiquin
Date ca. 1790(1790) Medium Oil on canvas cjr

Sir Thomas Lawrence George III of the United Kingdom oil painting artist
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George III of the United Kingdom
Date 1792 cyf

     Painting ID::  81013
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  George_III_of_the_United_Kingdom
Date 1792 cyf

Sir Thomas Lawrence Portrait of Lady Elizabeth Leveson-Gower, later Marchioness of Westminster, wife of the 2nd Marquess of Westminster oil painting artist
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Portrait of Lady Elizabeth Leveson-Gower, later Marchioness of Westminster, wife of the 2nd Marquess of Westminster
Date 1816(1816) Medium Oil on canvas Dimensions 76 x 63 cm (29.9 x 24.8 in) cjr

     Painting ID::  81158
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Lady_Elizabeth_Leveson-Gower,_later_Marchioness_of_Westminster,_wife_of_the_2nd_Marquess_of_Westminster
Date 1816(1816) Medium Oil on canvas Dimensions 76 x 63 cm (29.9 x 24.8 in) cjr

Sir Thomas Lawrence Portrait of Frederick H oil painting artist
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Portrait of Frederick H
. 1824 - 25, oil on canvas painting by Thomas Lawrence, Kimbell Art Museum Date c. 1824 - 25 cyf

     Painting ID::  81179
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Frederick_H
. 1824 - 25, oil on canvas painting by Thomas Lawrence, Kimbell Art Museum Date c. 1824 - 25 cyf

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     Sir_Thomas_Lawrence
    1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.

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