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Andrea del Castagno
Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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The Last Supper
mk176
1447
Refractory wall of Sant Apollonia
Florence
Painting ID:: 44851
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The_Last_Supper
mk176
1447
Refractory wall of Sant Apollonia
Florence
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The last communion
mk186
1447 Florence church Sant' Apollonia
Painting ID:: 45682
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The_last_communion
mk186
1447 Florence church Sant' Apollonia
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Boccaccio
mk247
c.1450,detached fresco,98.375x60.675 in,250x154cm,uffizi,florence,ltaly
Painting ID:: 55943
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Boccaccio
mk247
c.1450,detached fresco,98.375x60.675 in,250x154cm,uffizi,florence,ltaly
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Embrace the Son of the Virgin with Angels
mk261 Florence, Ukrainian Fiji art museum, Kong Dini ?? Boner Corsi 2.
Painting ID:: 58143
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Embrace_the_Son_of_the_Virgin_with_Angels
mk261 Florence, Ukrainian Fiji art museum, Kong Dini ?? Boner Corsi 2.
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Spano
mk261 Florence approximately in 1449 mural 250 x 154 centimeter Fuluolun Sawu Fiji art museum.
Painting ID:: 58299
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Spano
mk261 Florence approximately in 1449 mural 250 x 154 centimeter Fuluolun Sawu Fiji art museum.
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Andrea_del_Castagno
Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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