Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Antonio del Pollaiolo,Hercules and the Hydra (mk36) oil painting artist
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Antonio del Pollaiolo,Hercules and the Hydra (mk36)
c.1475 Florence,Galleri degli Uffizi

     Painting ID::  24980
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Antonio_del_Pollaiolo,Hercules_and_the_Hydra_(mk36)
c.1475 Florence,Galleri degli Uffizi

Sandro Botticelli Discovery of the Body of Holofernes (mk36) oil painting artist
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Discovery of the Body of Holofernes (mk36)
c.1472 Florence,Galleria degli Uffizi.

     Painting ID::  24981
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Discovery_of_the_Body_of_Holofernes_(mk36)
c.1472 Florence,Galleria degli Uffizi.

Sandro Botticelli Antonio and Piero del Pollaiolo,Martyrom of St Sebastian (mk36) oil painting artist
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Antonio and Piero del Pollaiolo,Martyrom of St Sebastian (mk36)
c.1475 London,National Gallery

     Painting ID::  24982
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Antonio_and_Piero_del_Pollaiolo,Martyrom_of_St_Sebastian_(mk36)
c.1475 London,National Gallery

Sandro Botticelli St Sebastian (mk36) oil painting artist
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St Sebastian (mk36)
c.1473 Berlin,Staatliche Museen

     Painting ID::  24983
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Sebastian_(mk36)
c.1473 Berlin,Staatliche Museen

Sandro Botticelli Adoration of the Magi (mk36) oil painting artist
 Click Image to Enlarge
Adoration of the Magi (mk36)
1472-1474 London,National Gallery

     Painting ID::  24984
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Adoration_of_the_Magi_(mk36)
1472-1474 London,National Gallery

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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