Oil Painting Artist::. Canaletto

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

Canaletto The Molo and the Riva degli Schiavoni from the Bacino di San Marco oil painting artist
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The Molo and the Riva degli Schiavoni from the Bacino di San Marco
1740 Oil on canvas, 46,5 x 63 cm Toledo Museum of Art, Toledo

     Painting ID::  5628
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Molo_and_the_Riva_degli_Schiavoni_from_the_Bacino_di_San_Marco
1740 Oil on canvas, 46,5 x 63 cm Toledo Museum of Art, Toledo

Canaletto The Bucintore Returning to the Molo on Ascension Day oil painting artist
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The Bucintore Returning to the Molo on Ascension Day
c. 1740 Oil on canvas, 187 x 259 cm Pushkin Museum, Moscow

     Painting ID::  5629
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Bucintore_Returning_to_the_Molo_on_Ascension_Day
c. 1740 Oil on canvas, 187 x 259 cm Pushkin Museum, Moscow

Canaletto The Molo with the Library and the Entrance to the Grand Canal f oil painting artist
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The Molo with the Library and the Entrance to the Grand Canal f
c. 1740 Oil on canvas, 110,5 x 185,5 cm Private collection

     Painting ID::  5630
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Molo_with_the_Library_and_the_Entrance_to_the_Grand_Canal_f
c. 1740 Oil on canvas, 110,5 x 185,5 cm Private collection

Canaletto Rome: The Arch of Constantine ffg oil painting artist
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Rome: The Arch of Constantine ffg
1742 Oil on canvas, 181,5 x 103 cm Royal Collection, Windsor

     Painting ID::  5631
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Rome:_The_Arch_of_Constantine_ffg
1742 Oil on canvas, 181,5 x 103 cm Royal Collection, Windsor

Canaletto Rome: The Arch of Constantine (detail) fd oil painting artist
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Rome: The Arch of Constantine (detail) fd
1742 Oil on canvas Royal Collection, Windsor

     Painting ID::  5632
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Rome:_The_Arch_of_Constantine_(detail)_fd
1742 Oil on canvas Royal Collection, Windsor

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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