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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Harbor at Night
mk60
Oil on canvas
29x20"
Painting ID:: 28336
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Harbor_at_Night
mk60
Oil on canvas
29x20"
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Riesengebirge
mk60
1835
Oil on canvas
29x40"
Painting ID:: 28337
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Riesengebirge
mk60
1835
Oil on canvas
29x40"
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Shipwreck or Sea of Ice
mk68
Oil on canvas
Hamburg,
Kunsthalle Museum
1823-1824
Germany
Painting ID:: 30680
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Shipwreck_or_Sea_of_Ice
mk68
Oil on canvas
Hamburg,
Kunsthalle Museum
1823-1824
Germany
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The Stages of Life
mk87
c.1835
Oil on canvas
72.5x94cm
Leipzig,Museum der Bildenden Kunste
Painting ID:: 33845
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The_Stages_of_Life
mk87
c.1835
Oil on canvas
72.5x94cm
Leipzig,Museum der Bildenden Kunste
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Abbey under Oak Trees
mk87
1809
Oil on canvas
110.4x171cm
Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
Painting ID:: 33891
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Abbey_under_Oak_Trees
mk87
1809
Oil on canvas
110.4x171cm
Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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