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Henri Fantin-Latour
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Glazen vaas met pioenen.
1882
Oil on canvas
49 ?? 44.3 cm (19.3 ?? 17.4 in)
cjr
Painting ID:: 77184
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Glazen_vaas_met_pioenen.
1882
Oil on canvas
49 ?? 44.3 cm (19.3 ?? 17.4 in)
cjr
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Kersenbloesem en violen.
1876
Oil on canvas
34.2 ?? 26.2 cm (13.5 ?? 10.3 in)
cjr
Painting ID:: 77185
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Kersenbloesem_en_violen.
1876
Oil on canvas
34.2 ?? 26.2 cm (13.5 ?? 10.3 in)
cjr
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Asters in a Vase
1875(1875)
Oil on canvas
22 7/8 x 23 1/4 in. (58.1 x 59.1 cm)
cjr
Painting ID:: 77186
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Asters_in_a_Vase
1875(1875)
Oil on canvas
22 7/8 x 23 1/4 in. (58.1 x 59.1 cm)
cjr
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Aardbeien in een aardewerk schoteltje.
1872
Oil on canvas
17.2 ?? 23.2 cm (6.8 ?? 9.1 in)
cjr
Painting ID:: 77187
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Aardbeien_in_een_aardewerk_schoteltje.
1872
Oil on canvas
17.2 ?? 23.2 cm (6.8 ?? 9.1 in)
cjr
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Glazen schaal met witte en blauwe druiven, perziken en pruimen.
1864
Oil on canvas
43 ?? 48 cm (16.9 ?? 18.9 in)
cjr
Painting ID:: 77192
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Glazen_schaal_met_witte_en_blauwe_druiven,_perziken_en_pruimen.
1864
Oil on canvas
43 ?? 48 cm (16.9 ?? 18.9 in)
cjr
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Henri_Fantin-Latour
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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