|
|
|
| |
|
100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
|
|
|
|
|
HORENBOUT, Gerard
Flemish Northern Renaissance Painter and Manuscript Illuminator, ca.1465-1541
Painter, designer, scribe and cartographer. He may have been the pupil of Li?vin de Stoevere ( fl 1463), the only painter of the five artists who guaranteed his admission fee into the guild of painters and illuminators in Ghent in 1487. Horenbout became a versatile and productive artist, painting altarpieces, portraits and illuminated manuscripts and designing tapestries and stained-glass windows. He also collaborated with the nuns of the convent of Galilee near Ghent in making a model garden with flowers made of cloth that he delivered to Margaret of Austria, Regent of the Netherlands, at her court in Mechelen. He seems to have achieved a degree of wealth commensurate with his output: in 1503 he acquired a house
|
|
Portraits_of_Lieven_van_Pottelsberghe_and_his_Wife_sf
|
|
Oil_on_panel,_43_x_33,5_cm_(each)
Museum_voor_Schone_Kunsten,_Ghent
|
|
|
|
|
Click to Enlarge
|
| HORENBOUT,_Gerard
|
Portraits of Lieven van Pottelsberghe and his Wife sf
Oil on panel, 43 x 33,5 cm (each)
Museum voor Schone Kunsten, Ghent
Painting ID:: 7641
|
|
|
|
|
|
| Oil on panel, 43 x 33,5 cm (each)
Museum voor Schone Kunsten, Ghent |
|
HORENBOUT, Gerard
Flemish Northern Renaissance Painter and Manuscript Illuminator, ca.1465-1541
Painter, designer, scribe and cartographer. He may have been the pupil of Li?vin de Stoevere ( fl 1463), the only painter of the five artists who guaranteed his admission fee into the guild of painters and illuminators in Ghent in 1487. Horenbout became a versatile and productive artist, painting altarpieces, portraits and illuminated manuscripts and designing tapestries and stained-glass windows. He also collaborated with the nuns of the convent of Galilee near Ghent in making a model garden with flowers made of cloth that he delivered to Margaret of Austria, Regent of the Netherlands, at her court in Mechelen. He seems to have achieved a degree of wealth commensurate with his output: in 1503 he acquired a house
|
|
|
|
ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
|
|
|
|
