|
|
|
| |
|
100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
|
|
|
|
|
STANZIONE, Massimo
Italian Baroque Era Painter, 1585-1656
Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,
|
|
Beheading_of_St_John_the_Baptist_awr
|
|
c._1634
Oil_on_canvas,_184_x_258_cm
Museo_del_Prado,_Madrid
|
|
|
|
|
Click to Enlarge
|
| STANZIONE,_Massimo
|
Beheading of St John the Baptist awr
c. 1634
Oil on canvas, 184 x 258 cm
Museo del Prado, Madrid
Painting ID:: 9153
|
|
|
|
|
|
| c. 1634
Oil on canvas, 184 x 258 cm
Museo del Prado, Madrid |
|
STANZIONE, Massimo
Italian Baroque Era Painter, 1585-1656
Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,
|
|
|
|
ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
|
|
|
|
