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100% hand painted, 100% cotton canvas,
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Fra Bartolommeo
Italian c1474-c1517
Fra Bartolommeo Location
Italian painter and draughtsman. Vasari and later historians agree that Fra Bartolommeo was an essential force in the formation and growth of the High Renaissance. He was the first painter in Florence to understand Leonardo da Vincis painterly and compositional procedures. Later he created a synthesis between Leonardos tonal painting and Venetian luminosity of colour. Equally important were his inventions for depicting divinity as a supernatural force, and his type of sacra conversazione in which the saints are made to witness and react to a biblical event occurring before their eyes, rather than standing in devout contemplation, as was conventional before. His drawings, too, are exceptional both for their abundance and for their level of inventiveness. Many artists came under his influence: Albertinelli, Raphael, Andrea del Sarto, Titian, Correggio, Beccafumi, Pontormo and Rosso Fiorentino.
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The_Annunciation_with_Saints_Margaret_Mary_Magdalen_Paul_John_the_Baptist_Jerome_and_Francis_(mk05)
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Wood_38_x_30_1/4(96_x_77_cm)Collections_of_Francois_Iand_Louis_XIV;entered_the_Louvre_in_1515-1530
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Click to Enlarge
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The Annunciation with Saints Margaret Mary Magdalen Paul John the Baptist Jerome and Francis (mk05)
Wood 38 x 30 1/4(96 x 77 cm)Collections of Francois Iand Louis XIV;entered the Louvre in 1515-1530
Painting ID:: 20153
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| Wood 38 x 30 1/4(96 x 77 cm)Collections of Francois Iand Louis XIV;entered the Louvre in 1515-1530 |
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Fra Bartolommeo
Italian c1474-c1517
Fra Bartolommeo Location
Italian painter and draughtsman. Vasari and later historians agree that Fra Bartolommeo was an essential force in the formation and growth of the High Renaissance. He was the first painter in Florence to understand Leonardo da Vincis painterly and compositional procedures. Later he created a synthesis between Leonardos tonal painting and Venetian luminosity of colour. Equally important were his inventions for depicting divinity as a supernatural force, and his type of sacra conversazione in which the saints are made to witness and react to a biblical event occurring before their eyes, rather than standing in devout contemplation, as was conventional before. His drawings, too, are exceptional both for their abundance and for their level of inventiveness. Many artists came under his influence: Albertinelli, Raphael, Andrea del Sarto, Titian, Correggio, Beccafumi, Pontormo and Rosso Fiorentino.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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