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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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SPADA, Lionello
Italian Baroque Era Painter, 1576-1622
Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).
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The_Return_of_the_Prodigal_Son_(mk05)
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Canvas,63_x_47''(160_x_119_cm).Ducal_Gallery_in_Modena;entered_the_Louvre_in_1797
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Click to Enlarge
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| SPADA,_Lionello
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The Return of the Prodigal Son (mk05)
Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797
Painting ID:: 20374
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| Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797 |
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SPADA, Lionello
Italian Baroque Era Painter, 1576-1622
Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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