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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
Portrait_of_Vicomtesse_Louise-Albertine_d'Haussonville_(mk04)
1842 Oil_on_canvas 111.5x75.5cm Collection_of_Jan_and_Marie-Anne_Krugier-Poniatowski. Geneva

Jean Auguste Dominique Ingres Portrait of Vicomtesse Louise-Albertine d'Haussonville (mk04) oil painting on canvas

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Jean_Auguste_Dominique_Ingres
Portrait of Vicomtesse Louise-Albertine d'Haussonville (mk04)
1842 Oil on canvas 111.5x75.5cm Collection of Jan and Marie-Anne Krugier-Poniatowski. Geneva

Painting ID::  20466

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    1842 Oil on canvas 111.5x75.5cm Collection of Jan and Marie-Anne Krugier-Poniatowski. Geneva
Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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