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Jean-Baptiste Deshays

French Baroque Era Painter, 1729-1765 was a French painter of religious and mythological subjects.His first training was under his father, the minor Rouen painter Jean-Dominique Deshays, he then spent a little time under Jean-Baptiste Descamps at his Ecole Gratuite de Dessin. He spent time in Hyacinthe Collin de Vermont's Paris studio from around 1740 to 1749 and Jean Restout II's from late 1749 to 1751. Both these had been pupils of Jean Jouvenet, and painted in the Grand Style of French history painting, a style Deshays adopted as his own. While he was in Restout's studio, Deshays entered the Prix de Rome competition, winning second prize in 1750 with His 1750 Laban Giving his Daughter in Marriage to Jacob won the second prize in the Grand Prix de Rome, and his 1751 Job on the Dung-hill the first prize. Deshays served the compulsory three years training at the Ecole des Eleves Prot??g??s (where he learnt from Carle van Loo, its director, and attracted some religious commissions, including two vast canvases, a Visitation and an Annunciation, for the monastery of the Visitation at Rouen), before going to Rome.
Jean-Baptiste_Deshays
mk53 c.1763 sketch, oil_on_canvas 104x62cm Douai,Musee_de_la_Chartreuse

Jean-Baptiste Deshays Jean-Baptiste Deshays oil painting on canvas

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Jean-Baptiste_Deshays
Jean-Baptiste Deshays
mk53 c.1763 sketch, oil on canvas 104x62cm Douai,Musee de la Chartreuse

Painting ID::  26688

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20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    mk53 c.1763 sketch, oil on canvas 104x62cm Douai,Musee de la Chartreuse
Jean-Baptiste Deshays
French Baroque Era Painter, 1729-1765 was a French painter of religious and mythological subjects.His first training was under his father, the minor Rouen painter Jean-Dominique Deshays, he then spent a little time under Jean-Baptiste Descamps at his Ecole Gratuite de Dessin. He spent time in Hyacinthe Collin de Vermont's Paris studio from around 1740 to 1749 and Jean Restout II's from late 1749 to 1751. Both these had been pupils of Jean Jouvenet, and painted in the Grand Style of French history painting, a style Deshays adopted as his own. While he was in Restout's studio, Deshays entered the Prix de Rome competition, winning second prize in 1750 with His 1750 Laban Giving his Daughter in Marriage to Jacob won the second prize in the Grand Prix de Rome, and his 1751 Job on the Dung-hill the first prize. Deshays served the compulsory three years training at the Ecole des Eleves Prot??g??s (where he learnt from Carle van Loo, its director, and attracted some religious commissions, including two vast canvases, a Visitation and an Annunciation, for the monastery of the Visitation at Rouen), before going to Rome.
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