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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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ung_man_med_fruktkorg
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Click to Enlarge
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| Caravaggio
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ung man med fruktkorg
mk248 ynglingen som ser ut som bsn nastan bjuder ut sig sjalv till askadaren tillsammans med frukten, ar mojligtvis ett sjalvportratt. caravaggio bor ba varit oomkring 21 ar nar bn malade bilden men visade redan upp en skickligbet i bebandingen av kontrarnemellan ljus ocb skugga, chiaroscuro eller klarobskyr.
Painting ID:: 56513
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| mk248 ynglingen som ser ut som bsn nastan bjuder ut sig sjalv till askadaren tillsammans med frukten, ar mojligtvis ett sjalvportratt. caravaggio bor ba varit oomkring 21 ar nar bn malade bilden men visade redan upp en skickligbet i bebandingen av kontrarnemellan ljus ocb skugga, chiaroscuro eller klarobskyr. |
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Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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