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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
Napoleon_I_on_his_Imperial_Throne
Napoleon_I_on_his_Imperial_Throne,_1806,_oil_on_canvas,_260_x_163_cm,_Mus??e_de_l'Arm??e,_Paris

Jean Auguste Dominique Ingres Napoleon I on his Imperial Throne oil painting on canvas

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Jean_Auguste_Dominique_Ingres
Napoleon I on his Imperial Throne
Napoleon I on his Imperial Throne, 1806, oil on canvas, 260 x 163 cm, Mus??e de l'Arm??e, Paris

Painting ID::  59425

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    Napoleon I on his Imperial Throne, 1806, oil on canvas, 260 x 163 cm, Mus??e de l'Arm??e, Paris
Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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