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Juan Martin Cabezalero

1633-1673 was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.
Assumption_of_the_Virgin

Juan Martin Cabezalero Assumption of the Virgin oil painting on canvas

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Juan_Martin_Cabezalero
Assumption of the Virgin
237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources

Painting ID::  62360

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources
Juan Martin Cabezalero
1633-1673 was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.
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