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Francken, Frans II

b. 1581, Antwerpen, d. 1642, Antwerpen Painter, son of Frans Francken I. Of all the members of the Francken family, Frans II is the most important and still the most widely known. There are paintings by him in all large public collections in Europe. Besides altarpieces and painted furniture panels, he produced mainly small cabinet pictures with historical, mythological or allegorical themes. Frans II's rank as an artist is not so much derived from his extensive output as from his innovative subject-matter: his depictions of luxuriously decorated Kunstkammern and art galleries
An_Antique_Dealer's_Gallery

Francken, Frans II An Antique Dealer's Gallery oil painting on canvas

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Francken,_Frans_II
An Antique Dealer's Gallery
1615-20 Oil on wood Galleria Borghese, Rome The Antique Dealer's Gallery by Frans Francken the Younger captures the atmosphere of such places at the beginning of the 17th century and shows a large display of paintings hanging in two rows.Artist:FRANCKEN, Frans II Title: An Antique Dealer's Gallery Painted in 1601-1650 , Flemish - - painting : genre

Painting ID::  63826

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    1615-20 Oil on wood Galleria Borghese, Rome The Antique Dealer's Gallery by Frans Francken the Younger captures the atmosphere of such places at the beginning of the 17th century and shows a large display of paintings hanging in two rows.Artist:FRANCKEN, Frans II Title: An Antique Dealer's Gallery Painted in 1601-1650 , Flemish - - painting : genre
Francken, Frans II
b. 1581, Antwerpen, d. 1642, Antwerpen Painter, son of Frans Francken I. Of all the members of the Francken family, Frans II is the most important and still the most widely known. There are paintings by him in all large public collections in Europe. Besides altarpieces and painted furniture panels, he produced mainly small cabinet pictures with historical, mythological or allegorical themes. Frans II's rank as an artist is not so much derived from his extensive output as from his innovative subject-matter: his depictions of luxuriously decorated Kunstkammern and art galleries
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