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MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
Allegory_of_the_Alba

MAULBERTSCH, Franz Anton Allegory of the Alba oil painting on canvas

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MAULBERTSCH,_Franz_Anton
Allegory of the Alba
1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. Artist:MAULBERTSCH, Franz Anton Title: Allegory of the Alba, 1751-1800, Austrian , painting , mythological

Painting ID::  64567

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    1750 Oil on canvas, 67 x 53 cm Wallraf-Richartz Museum, Cologne Tha artist made no distinction between religious and mythological or allegorical subjects, he appalied the same rococo style for all. Artist:MAULBERTSCH, Franz Anton Title: Allegory of the Alba, 1751-1800, Austrian , painting , mythological
MAULBERTSCH, Franz Anton
Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
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