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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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Jan Weenix
Dutch Baroque Era Painter ,
Amsterdam 1640/42-1719
Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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A_monkey_and_a_dog_beside_dead_game_and_fruit,_with_the_estate_of_Rijxdorp_near_Wassenaar_in_the_background
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1714_
Oil_on_canvas_
172__X__160_cm_(67.72__X__62.99_in)
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Click to Enlarge
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A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background
1714
Oil on canvas
172 X 160 cm (67.72 X 62.99 in)
Painting ID:: 67437
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| 1714
Oil on canvas
172 X 160 cm (67.72 X 62.99 in)
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Jan Weenix
Dutch Baroque Era Painter ,
Amsterdam 1640/42-1719
Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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