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Henri Pierre Danloux

1753-1809 French French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.
Baron_de_Besenval_in_his_Salon_de_Compagnie
Date_1791(1791) _ Medium_Oil_on_canvas _ Dimensions_46.5_??_37_cm_(18.3_??_14.6_in) _ cyf

Henri Pierre Danloux Baron de Besenval in his Salon de Compagnie oil painting on canvas

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Henri_Pierre_Danloux
Baron de Besenval in his Salon de Compagnie
Date 1791(1791) Medium Oil on canvas Dimensions 46.5 ?? 37 cm (18.3 ?? 14.6 in) cyf

Painting ID::  76999

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20x24 50x60 $89
24x36 60x90 $139
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36x48 90x120 $219
48x72 120x180 $399

    Date 1791(1791) Medium Oil on canvas Dimensions 46.5 ?? 37 cm (18.3 ?? 14.6 in) cyf
Henri Pierre Danloux
1753-1809 French French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.
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