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Matthias Grunewald
German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter,
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Isenheim Altarpiece
Isenheim Altarpiece, 1515.
Painting ID:: 59178
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Isenheim_Altarpiece
Isenheim Altarpiece, 1515.
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Carrying the Cross
Date between 1523(1523) and 1524(1524)
Medium Oil on wood
cjr
Painting ID:: 83978
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Carrying_the_Cross
Date between 1523(1523) and 1524(1524)
Medium Oil on wood
cjr
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The Mocking of Christ
Date 1503(1503)
Medium Oil on pine panel
Dimensions Height: 109 cm (42.9 in). Width: 73.5 cm (28.9 in).
cjr
Painting ID:: 85891
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The_Mocking_of_Christ
Date 1503(1503)
Medium Oil on pine panel
Dimensions Height: 109 cm (42.9 in). Width: 73.5 cm (28.9 in).
cjr
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The Temptation of St Anthony
Date c. 1515(1515)
Medium Oil on wood
Dimensions Height: 265 cm (104.3 in). Width: 141 cm (55.5 in).
cjr
Painting ID:: 87625
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The_Temptation_of_St_Anthony
Date c. 1515(1515)
Medium Oil on wood
Dimensions Height: 265 cm (104.3 in). Width: 141 cm (55.5 in).
cjr
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Sts Paul and Anthony in the Desert
Date c. 1515(1515)
Medium Oil on wood
Dimensions Height: 265 cm (104.3 in). Width: 141 cm (55.5 in).
cjr
Painting ID:: 87627
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Sts_Paul_and_Anthony_in_the_Desert
Date c. 1515(1515)
Medium Oil on wood
Dimensions Height: 265 cm (104.3 in). Width: 141 cm (55.5 in).
cjr
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Matthias_Grunewald
German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter,
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