Oil Painting Artist::. CIMA da Conegliano

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     CIMA da Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

CIMA da Conegliano The Annunciation oil painting artist
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The Annunciation
1495(1495) Medium Tempera and oil on canvas transferred from wood cyf

     Painting ID::  89301
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Annunciation
1495(1495) Medium Tempera and oil on canvas transferred from wood cyf

CIMA da Conegliano Madonna of the Orange Tree oil painting artist
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Madonna of the Orange Tree
1495(1495) Medium tempera and oil on panel Dimensions Height: 212 cm (83.5 in). Width: 139 cm (54.7 in). cyf

     Painting ID::  89738
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_of_the_Orange_Tree
1495(1495) Medium tempera and oil on panel Dimensions Height: 212 cm (83.5 in). Width: 139 cm (54.7 in). cyf

CIMA da Conegliano Coronation of the Virgin oil painting artist
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Coronation of the Virgin
second half of 15th century Medium oil on canvas cyf

     Painting ID::  89976
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Coronation_of_the_Virgin
second half of 15th century Medium oil on canvas cyf

CIMA da Conegliano St Christopher with the Infant Christ and St Peter oil painting artist
 Click Image to Enlarge
St Christopher with the Infant Christ and St Peter
oil on poplar Dimensions Height: 73 cm (28.7 in). Width: 56 cm (22 in). cyf

     Painting ID::  90039
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Christopher_with_the_Infant_Christ_and_St_Peter
oil on poplar Dimensions Height: 73 cm (28.7 in). Width: 56 cm (22 in). cyf

CIMA da Conegliano Incredulity of St Thomas with Bishop Magno oil painting artist
 Click Image to Enlarge
Incredulity of St Thomas with Bishop Magno
1505(1505) Medium tempera and oil on panel cyf

     Painting ID::  91176
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Incredulity_of_St_Thomas_with_Bishop_Magno
1505(1505) Medium tempera and oil on panel cyf

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     CIMA_da_Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

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