Oil Painting Artist::. Albrecht Altdorfer

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     Albrecht Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

Albrecht Altdorfer The Birth of the Virgin oil painting artist
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The Birth of the Virgin
1525 cjr

     Painting ID::  78750
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Birth_of_the_Virgin
1525 cjr

Albrecht Altdorfer Kalvarienberg oil painting artist
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Kalvarienberg
English: c. 1526 Medium Oil on wood Dimensions 40,5 x 33,1 cm cyf

     Painting ID::  78776
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Kalvarienberg
English: c. 1526 Medium Oil on wood Dimensions 40,5 x 33,1 cm cyf

Albrecht Altdorfer Enthauptung der Hl oil painting artist
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Enthauptung der Hl
Oil on wood Deutsch: Lindenholz Dimensions 55,3 x 35,2 cm cyf

     Painting ID::  78922
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Enthauptung_der_Hl
Oil on wood Deutsch: Lindenholz Dimensions 55,3 x 35,2 cm cyf

Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz oil painting artist
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Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
c. 1509-1516 Oil on wood cjr

     Painting ID::  79487
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Sebastiansaltar_des_Augustiner-Chorherrenstifts_St._Florian_bei_Linz
c. 1509-1516 Oil on wood cjr

Albrecht Altdorfer Kreuzigung Christi oil painting artist
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Kreuzigung Christi
1526(1526) Oil on wood 28,7 x 20,8 cm cjr

     Painting ID::  79524
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Kreuzigung_Christi
1526(1526) Oil on wood 28,7 x 20,8 cm cjr

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     Albrecht_Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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