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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Mademoiselle Riviere (mk09)
1806
Oil on canvas 100 x 70 cm
Paris,Musee National du Louvre
Painting ID:: 21323
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Mademoiselle_Riviere_(mk09)
1806
Oil on canvas 100 x 70 cm
Paris,Musee National du Louvre
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Louis-Francois Bertin (mk09)
1832
OIl on canvas,116 x 95 cm
Paris,Musee National du Louvre
Painting ID:: 21325
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Louis-Francois_Bertin_(mk09)
1832
OIl on canvas,116 x 95 cm
Paris,Musee National du Louvre
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The Dream of Ossian (mk10)
1813,oil on canvas,
348 x 275 cm
Montauban,musee Ingres
Painting ID:: 21865
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The_Dream_of_Ossian_(mk10)
1813,oil on canvas,
348 x 275 cm
Montauban,musee Ingres
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Joan of Arc at the Coronation of Charles VII in Reims Cathedral (mk45)
1854
Oil on canvas
240x178cm
Paris,Musee du Louvre
Painting ID:: 25939
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Joan_of_Arc_at_the_Coronation_of_Charles_VII_in_Reims_Cathedral_(mk45)
1854
Oil on canvas
240x178cm
Paris,Musee du Louvre
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The eTukish Bath (mk45)
1862
Oil on canvas
diameter 108cm
Paris,Musee du Louvre
Painting ID:: 25940
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The_eTukish_Bath_(mk45)
1862
Oil on canvas
diameter 108cm
Paris,Musee du Louvre
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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