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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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The Birth of Venus (mk04)
1808-1848
Oil on canvas,
193x92cm
Musee Conde,
Chantilly
Painting ID:: 20473
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The_Birth_of_Venus_(mk04)
1808-1848
Oil on canvas,
193x92cm
Musee Conde,
Chantilly
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The Source (mk04)
1856
Oil on canvas,
163x80cm
Musee d'Orsay,
Paris
Painting ID:: 20474
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The_Source_(mk04)
1856
Oil on canvas,
163x80cm
Musee d'Orsay,
Paris
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Apotheosis of Napoleon I (MK04)
1853
Oil on canvas,
48x48cm
Musee Carnavalet,
Paris
Painting ID:: 20476
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Apotheosis_of_Napoleon_I_(MK04)
1853
Oil on canvas,
48x48cm
Musee Carnavalet,
Paris
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Self-Portrait at the age of 78 (mk04)
1858
Oil on canvas,62x51cm
Galleria degli Uffizi,
Florence
Painting ID:: 20478
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Self-Portrait_at_the_age_of_78_(mk04)
1858
Oil on canvas,62x51cm
Galleria degli Uffizi,
Florence
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Portrait of Delphine Ingres,nee Ramel (mk04)
1859
Oil on canvas,
63x50
Sammlung Oskar Reinhart,
Winterthur
Painting ID:: 20479
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Portrait_of_Delphine_Ingres,nee_Ramel_(mk04)
1859
Oil on canvas,
63x50
Sammlung Oskar Reinhart,
Winterthur
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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