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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Summer (mk10)
1807 oil on canvas 71.4 x 103.6 cm
Munich,Neue Pinakothek
Painting ID:: 21802
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Summer_(mk10)
1807 oil on canvas 71.4 x 103.6 cm
Munich,Neue Pinakothek
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Oak Tree in the Snow (mk10)
1829
Oil on canvas 71 x 48 cm
Berlin,Nationalgalerie
Painting ID:: 21803
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Oak_Tree_in_the_Snow_(mk10)
1829
Oil on canvas 71 x 48 cm
Berlin,Nationalgalerie
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Woman at the Window (mk10)
1822 Oil on canvas
44 x 37 cm
Berlin,Nationalgalerie
Painting ID:: 21805
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Woman_at_the_Window_(mk10)
1822 Oil on canvas
44 x 37 cm
Berlin,Nationalgalerie
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View of the Artist's Studio Left Window (mk10)
1805-1806 sepia
31 x 24 cm
Vienna,Kunsthistorisches Museum
Painting ID:: 21806
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View_of_the_Artist's_Studio_Left_Window_(mk10)
1805-1806 sepia
31 x 24 cm
Vienna,Kunsthistorisches Museum
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View of the Artist's Studio Right Window (mk10)
1805-1806,sepia on paper
31 x 24 cm
Vienna,Kunsthistorisches Museum
Painting ID:: 21807
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View_of_the_Artist's_Studio_Right_Window_(mk10)
1805-1806,sepia on paper
31 x 24 cm
Vienna,Kunsthistorisches Museum
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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