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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Morning in the Riesengebirge (mk10)
1811,oil on canvas,108 x 170 cm
Berlin,Staatliche Schlosser und Garten,Schloss Charlottenburg
Painting ID:: 21828
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Morning_in_the_Riesengebirge_(mk10)
1811,oil on canvas,108 x 170 cm
Berlin,Staatliche Schlosser und Garten,Schloss Charlottenburg
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Cemetery in the Snow (mk10)
1826,Oil on canvas
30 x 26 cm
Leipzig,Museum der Bildende Kunste
Painting ID:: 21829
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Cemetery_in_the_Snow_(mk10)
1826,Oil on canvas
30 x 26 cm
Leipzig,Museum der Bildende Kunste
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Hut in the Snow (mk10)
1827,Oil on canvas
31 x 25 cm
Berlin,Nationalgalerie
Painting ID:: 21830
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Hut_in_the_Snow_(mk10)
1827,Oil on canvas
31 x 25 cm
Berlin,Nationalgalerie
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Winter Landsacpe (mk10)
1811,oil on canvas 33 x 46 cm
Schwerin,Staatliche Museum
Painting ID:: 21831
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Winter_Landsacpe_(mk10)
1811,oil on canvas 33 x 46 cm
Schwerin,Staatliche Museum
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detail Winter landscape (mk10)
1811,oil on canvas 33 x 46 cm
Schwerin,Staatliche Museum
Painting ID:: 21833
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detail_Winter_landscape_(mk10)
1811,oil on canvas 33 x 46 cm
Schwerin,Staatliche Museum
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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