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Corot Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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Une Route pres d'Arras
mk71
Toile
H.0.35
L.0.46
Musee des Beaux-Arts d'Arras
Painting ID:: 31105
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Une_Route_pres_d'Arras
mk71
Toile
H.0.35
L.0.46
Musee des Beaux-Arts d'Arras
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Les Bucheronnes
mk71
1871-1872
Toile
H.0.878
L.1.150
Musee des Beaux-Arts d'Arras
Painting ID:: 31106
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Les_Bucheronnes
mk71
1871-1872
Toile
H.0.878
L.1.150
Musee des Beaux-Arts d'Arras
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Le Pressoir de Domfront
mk71
vers1850
Toile
H.0.159
L.0.255
Chateau-musee de Boulogne-sur-mer
Painting ID:: 31107
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Le_Pressoir_de_Domfront
mk71
vers1850
Toile
H.0.159
L.0.255
Chateau-musee de Boulogne-sur-mer
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Dunkerque,les bassins de peche
mk71
1875
Toile
H.0.35
L.0.47
Dunkerque,Musee des Beaux-Arts
Painting ID:: 31108
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Dunkerque,les_bassins_de_peche
mk71
1875
Toile
H.0.35
L.0.47
Dunkerque,Musee des Beaux-Arts
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Le Chateau de Wagnonville
mk71
1871
Toile
H.0.32
L.0.40
Douai,Musee de la Chartreuse
Painting ID:: 31109
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Le_Chateau_de_Wagnonville
mk71
1871
Toile
H.0.32
L.0.40
Douai,Musee de la Chartreuse
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Corot_Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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